Workshops · KwaZulu‑Natal
Two days.
One problem each.
Most people's work is stuck for one of two reasons: they haven't shot enough to have made the mistakes, or they can't build a story out of what they shot. There's a day for each.
- Format
- One full day each, in person
- Rooms
- 8 on camera, 20 on edit
- Both days
- R5 625 — save R995
- Dates
- Being confirmed — list first
If you can only do one
Which day is
actually yours?
Be honest about which sentence sounds more like you. Booking the wrong one is a waste of a day and your money.
Take the camera day
All The Gear No Idea
- Your footage is technically fine but lifeless
- You own good gear and rarely take it out
- You freeze a bit when someone is waiting on you
- You've never lit anything on purpose
- You'd like to be paid to shoot and aren't yet
Take the edit day
Make The Cut
- You have footage you're happy with and edits you're not
- Your cuts feel flat and you can't say why
- People stop watching about a third of the way in
- You know Resolve's panels but not its decisions
- You're fast on the keyboard and slow on the choices
Both sound like you? That's what the two‑day price is for — R5 625 instead of R6 620.
How they run
Small rooms, real sets, no theory-only days.
Both days are practical. On the camera day you shoot three live sets with a model, an interview subject and product I've organised — eight people in the room so everybody operates on everything. On the edit day you build a finished film from properly shot footage I supply, from an empty project at nine to an export by five.
Neither is a lecture with a slide deck. You'll be doing the thing, badly at first, with me standing behind you.
Private & corporate
Train your team in your own room.
Either day, run privately for your marketing or content team, on your kit, with your brand's footage. Flat fee, no per‑seat maths.
Common questions