Brand film
The hero piece. Founder stories, manifesto films, launch films — the one asset everything else gets cut from. Scripted, directed and graded to survive a big screen.
Commercial film · Durban, South Africa
Visual storytelling anchored in rhythmic movement and dynamic cadence — built around a strategy first, so the film has something to actually carry.
The position
Most production quotes start with a camera. Mine starts with a question: what is this piece of film supposed to move, and for whom? Get that wrong and no amount of grade, gimbal or grain will save it.
So every project opens with a paid discovery — a diagnostic and a creative strategy. We agree what the film has to do before anyone books a call sheet. The edit that lands at the end is the evidence, not the product.
It's one person the whole way through: I run the strategy, write the script, shoot it and cut it. Nothing gets lost in a handover, because there isn't one.
Selected work
What I make
No menu of forty services. If it isn't one of these, I'll tell you and point you somewhere better.
The hero piece. Founder stories, manifesto films, launch films — the one asset everything else gets cut from. Scripted, directed and graded to survive a big screen.
Built for the feed, not squeezed into it. Hook-first vertical cuts, variant sets for testing, subtitles and sound design that hold up on mute.
Footage that already exists and isn't working. Recut, colour graded, sound designed, motion graphics and subtitles — DaVinci Resolve end to end.
Learn it yourself
Small rooms in KwaZulu‑Natal. Your own laptop, your own footage, and the specific thing that's holding your work back — found and fixed in a day.
01 — Camera · one day
You haven't shot enough to have made the mistakes yet. Make them here, on my set, instead of on a client's. Eight seats.
From R4 125 ↗
02 — Edit · one day
Your edits are flat because they have no highs, no lows and no cadence. Empty project at nine, finished film by five.
From R1 995 ↗